LUXURY
Independent (2024)
LUXURY (Independent)
JPG
YOUTUBE
8m:23s
CASA PRETI CARMINA 8/10 - CASA PRETI
CASA PRETI s.r.l.
Contender
| Title of Piece: | CASA PRETI CARMINA 8/10 |
|---|---|
| Brand: | CASA PRETI |
| Production Company: | CASA PRETI s.r.l. |
| Client: | CASA PRETI s.r.l. |
| Agency: | CASA PRETI s.r.l. |
| Model(s): | MASSIMO MILANI, SIMONA MALATO, MIGUEL APONTE, BIN ARNBY, LUCA AVANZATO, NETTUNO BATTISTI, LEONARDO MODESTO CAVAGNERA, AYOUB DAHMANI, ROBERTA NETTO, CHELSEA NGATCHA, GIANLUCA PERSIA, HUGO RAMMAERT, PAOLA SCORDATO, GIULIO URSO |
| Modelling Agency: | - |
| Director: | ENRICO BELLENGHI |
| Producer(s): | SOFIA BERTOZZI |
| Editor: | JACOPO TICH |
| Director of Photography: | RICCARDO PELLEGRINO |
| Art Director: | MATTIA PIAZZA |
| Creative Director: | MATTIA PIAZZA |
| Production Design: | FILIPPO PIAZZA |
| Costume Design: | MATTIA PIAZZA |
| Hair & Makeup: | FABRIZIO CIRRITO / ETTORE MERENDINA |
| Music/Sound Design: | SIMONE LORENZINI |
| Casting Director: | MATTIA PIAZZA |
| Writer: | MATTIA PIAZZA and ENRICO BELLENGHI |
| Props Stylist: | MATTIA PIAZZA |
| Additional Credits: | Executive Producer: CAROLA PROVENZANO |
| Additional Credits: | Production Secretary: GIAMPIERO MAZZOLA |
| Additional Credits: | Production Coordinator: FILIPPO PIAZZA |
| Additional Credits: | Set Photographer: FABRIZIO MILAZZO |
| Additional Credits: | Assistant Director: RUBEN GAGLIARDINI |
| Additional Credits: | Camera Assistant: PIETRO RONZONI |
| Additional Credits: | Set Electrician: MATTEO MANGANO |
| Additional Credits: | Set Assistant: GIULIO PIPOLO |
| Additional Credits: | Editing: JACOPO TICH |
| Additional Credits: | Production Assistant: CAMILLE JEAN-BUSOLINI |
| Instagram Tag: | @casapreti @mattia_prety @enricobellenghi #casapreti #casapretcarmina8/10 |
| Short Synopsis: | There is a sacred force that always moves towards the realization of the idea it strives for. Carmina 8/10, a fashion film introducing the new CASA PRETI AI 24 25 collection, is the story of a world, a house, and a family in crisis. Mysterious guests enter the scene, participating in seemingly simple everyday gestures like putting flowers in a vase or tracing lines. These guests gradually come to life and form dances in the night or a fleeting kiss. While the intrusion of foreign bodies usually leads to contamination that is resisted, in Carmina 8/10 the characters surrender to this transformation as if it were a sacrament that leads them to embrace their past through the reconstruction of their own identity, returning to resemble themselves for the first time. Carmina is a hymn to humanity and its sacredness, to love and the strength of those who strive for the freedom to 'feel at home', in any outfit, any form, and any name. |
